9/7/2023 0 Comments Im not okay with this castPlus, while the supernatural plotline never truly finds its wings, all of the plain old natural storylines have no trouble taking off. It seems a little quirky and weird, but in a good way. Sure, maybe the show is grasping a little too hard at nostalgia the show's target audience doesn't have, but (perhaps because Lillis and Oleff have already starred in one familiar 80s-set supernatural tale) it doesn't feel as out of place as it probably should. And Bryant and Ellis sell the heck out of the loyal, romantic Dina and the entitled, increasingly sinister Brad, elevating them beyond their archetypical Cool Girl and Dumb Jock introductions, and turning their initially paint-by-numbers relationship into something a lot more layered and interesting.Īnd while it's never really explained why every part of I Am Not Okay with This-from the costumes to the music selection to the set design-feels pulled directly from the 80s, despite its characters' uses of smartphones, USB drives, and Instagram, the overall aesthetic is still a lot of fun. Kathleen Rose Perkins and Aidan Wojtak-Hissong as Syd's mother and younger brother, respectively, bring texture and nuance to Syd's world in their limited screen time. Oleff is a definite high point (one particularly delightful scene of Stan dancing around his basement to Prefab Sprout's "The King of Rock 'n' Roll" seems like it was created with the sole purpose of giving the internet a bountiful supply of GIF-able material), stealing pretty much every scene he's in and displaying some truly formidable comedic chops. On the page, Syd comes off as largely unlikable character, but Lillis imbues her with such a strong sense of vulnerability and longing that I was able to easily connect with her, despite her many flaws and bad calls. However, despite the show's uncertain fumbling of its hook, there's still plenty to enjoy in I Am Not Okay with This. The series' tendency to illustrate those moments of heightened emotion by Syd literally razing the things around her to the ground are an effective way of showing that this sort of stuff-especially as a teenager-really can feel like the end of the world. So much of what Syd is going through feels accessible to anyone who has ever wrestled with family tension, navigated a complicated friendship, fallen in love, experienced an unrequited crush, or suffered a tremendous loss. This is both the show's biggest strength, and its greatest weakness. well, becoming overwhelmed, losing control, and wrecking the things around us. The times when Syd becomes overwhelmed, loses control, and wrecks the things around her don't feel like cool displays of power, but rather an all-too-real metaphor for the types of relatable, real-world mental health struggles that can lead to.
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